Welcome to another thrilling installment of our blog featuring Musa Fabulosa, Laura Pohl and her debut novel THE LAST 8!
The Last 8 is a high-stakes survival story about eight teenagers who outlive an alien attack—perfect for fans of The 5th Wave. Clover Martinez has always been a survivor, which is the only reason she isn’t among the dead when aliens invade and destroy Earth as she knows it. When Clover hears an inexplicable radio message, she’s shocked to learn there are other survivors—and that they’re all at the former Area 51. When she arrives, she’s greeted by a band of misfits who call themselves The Last Teenagers on Earth. Only they aren’t the ragtag group of heroes Clover was expecting. The group seems more interested in hiding than fighting back, and Clover starts to wonder if she was better off alone. But then she finds a hidden spaceship, and she doesn’t know what to believe… or who to trust.
Foreword Reviews says of her debut, “The Last 8 is diverse and immersive science fiction...With its powerful world building and emotional twists ...The Last 8 is a beautifully fresh take on the idea of an alien apocalypse.” School Library Journal called it, “An extravaganza of nonstop action, with several surprising twists, this will have readers clamoring for more."
And without further ado, here is Laura!
I love hearing about the pop-culture movies that inspired THE LAST 8! Can you tell us which movies or shows influenced you while writing this action packed sci-fi bonanza?
I think one of my biggest inspirations was INDEPENDENCE DAY, which was one of my favorite movies as a kid. As I grew up, I always wanted to write an alien invasion story that had the same cool vibe, so that’s my go-to reference. After I watched ATTACK THE BLOCK, the idea solidified. You can write a sci-fi about a bunch of teens fighting off an alien invasion while still discussing real life issues.
How did you keep the tension throughout your novel? Was there anything you kept in mind as you wrote to make sure the reader kept passing the pages?
I’m one of those people who always tries to end chapters in cliffhangers. It’s always worked for me. Besides, alien invasion stories are tense — you never know who’s going to survive, and I wanted to keep that in mind while writing.
What books influenced you to write sci-fi?
I think movies influenced me more than books for writing sci-fi. I loved watching Steven Spielberg movies as a kid, as a teen I slowly started drifting toward sci-fi books. My parents are big fans of Asimov, so I always had his books lying around the house and that’s one of my earliest memories on reading sci-fi.
Was there a moment where your character--the last teenagers on earth--surprised you?
I think it surprised me how much they reacted differently to a single situation. Each of them has a different way of dealing with the end of the world, and it was very interesting that I got to explore those feelings of loss and heartbreak.
Clover is such an amazing Latinx character, what inspired you to make her Mexican-American?
I think it wasn’t as much as a single inspiration as it was the reality of thousands of Mexican-American kids growing up in the USA. I wanted to write a story that could also be about family, and Clover growing up with her abuelos has some traces of my own childhood when I spent holidays at the farm with my own grandparents.
How did the story change from what you envisioned to how it ended up?
The beginning changed a lot as I was writing it. First the alien invasion had already happened, then it happened on the page, then it changed again. Overall, I don’t think the tone of the story changed, though — it has always been a story about a girl dealing with how the world can take away so much, and how to power through difficult times.
It seems that creating eight main characters would be especially challenging: what, if any, hurdles did you have to overcome in order to pull this off successfully?
Oh, I sometimes forgot how many people were in the same scene, haha! I think that was one of the hardest parts, and balancing each character to make them relevant within the narrative. Each of them has a part to play in the story and I had to make sure to get it all right so they wouldn’t fade into the background.
Were there any characters that immediately clicked as you wrote them or did you write them knowing who would mesh and who wouldn’t?
I think my two favorites to write have always been Brooklyn and Violet. They’re easy to understand for me. Brooklyn talks a lot and deals with everything through joking, but she’s very sensitive at the same time. Violet is quieter but she’s someone who examines every single one of her decision and tends to be very rational in a time of crisis, which is always the way I dealt with things, even coming across as cold. Clover is much the same, so for me, it was interesting to explore that rational side of emotions and how you deal with them.
Without spoiling The Last 8 is there anything you can tell us about book 2?
Huuuh, the only thing I can say is that it has good Hitchhiker’s Guide to the Galaxy vibes, and I hope you all like it!
Give us a glimpse into a day in your life as a writer. What's that look like?
I wake up, get coffee, sit down to write. I prefer writing in the mornings, so I focus on getting stuff done before I get lunch. I do home office as well (I offer editing services and do copyediting), so I do my regular day job during the afternoons. I love having a routine, so I rarely stray from this format.
Who is your author crush and why?
I have so many authors who I deeply love! I think one of my biggest inspirations has been Susan Dennard — she has amazing writing advice that helped me get published, and I absolutely adore her Truthwitch series.
What is your wish for the future of Latinx in children's literature?
I hope we can get all types of stories out there. Not just stories about the experience of being Latinx, but latinx kids saving planets, the galaxies, dogs, being vampires, being whatever and whoever they want to be, without having to give up our unique identity to do that.
Why is representation is so important? What kinds of characters did you write that are underrepresented in YA lit?
I think representation allows us to reflect in our own existence and understand it through literature. It allows us a glimpse into ourselves and knowing we can tell stories, too, that we matter and that we’re important. While writing The Last 8, I wanted to write a character who was aromantic like me, who dealt with depression and anxiety, and who came from a similar background. It’s how Clover became my MC.
If a teacher is using your book in the classroom, what is an important point or lesson you'd want them to convey to students?
I think I’d love that the takeaway from The Last 8 would help more teens deal with their anxiety and depression. Clover survives through all of that, and it’s about moving one step at a time. I believe that mental health is something that we still need to discuss in society to break the stigmas around it, as well as provide help to all those who need it.
Buy a copy of The Last 8 wherever books are sold or borrow it from your local library!
Welcome back to the Musas blog! This week Musa Sara Faring (The Tenth Girl) sat down with K.K. Pérez to discuss inspiration, balancing multiple projects, and of course her sophomore novel: The Tesla Legacy.
THE TESLA LEGACY follows a precocious young scientist named Lucy Phelps whose fateful encounter in the Tesla Suite of the New Yorker Hotel unlocks her dormant electrical powers. As Lucy struggles to understand her new abilities through scientific experimentation, she is thrust into a centuries old battle between rival alchemical societies. One side wants her help and the other wants her dead, but both believe she is the next step in human evolution. Unfortunately, carriers of the genetic mutation―including Nikola Tesla―have a greatly reduced life expectancy. Even if Lucy can outrun her enemies, she can’t outrun herself.
How was The Tesla Legacy born—was there a special seed, planted long ago?
I’ve always been fascinated by the life of Nikola Tesla and David Bowie’s portrayal of him in The Prestige reignited my interest. Tesla’s life lends itself to steampunk fantasy because sometimes truth is stranger than fiction! In the back of my mind, I’ve always wanted to write kind of an homage to Penny from Inspector Gadget. Penny always saved the day (and her uncle, Gadget) and she had an awesome “computer book” that I drooled over as a kid. (Now I have an iPad!)
Did someone in your life inspire the super-sharp protagonist, Lucy?
I have several female scientist friends who Lucy is based on, but also I’ve always been drawn to geek girls or braniacs like Willow from Buffy the Vampire Slayer, Velma from Scooby Doo and Mac from Veronica Mars. I wanted to make the female brain the star rather than the sidekick.
You weave so much science and history into the book—what is your research process like?
I started with biographies and documentaries about Nikola Tesla himself. From there I began researching the key figures he worked with and had rivalries with such as his Current War with Thomas Edison, which led me to delve further into the history of science as a whole.
I also thought a lot about who my protagonist Lucy’s scientific idols would be and why, and started learning more about them. Once I discovered Newton’s interest in alchemy, I realized that I wanted to infuse my science fiction with a little bit of the mystical. I plunged myself into academic research surrounding the origins and history of alchemists and discovered that in the ancient world women were often alchemists and chemists.
As the alchemists say, Liber librum aperit: One book opens another.
You grew up in New York City—which parts of your experience seeped into the book?
The settings for Lucy’s adventures in Manhattan are a highlight reel of my favorite places in my hometown. There’s the High Line (although it was still disused when I was growing up), the murals at Grand Central Station, the Met, the Alice in Wonderland statue and Bow Bridge in Central Park. Like Lucy, I also hate the long crosstown blocks and think pigeons are judgmental rats with wings.
You are also in the midst of writing the final book in your gorgeous Sweet Black Waves trilogy (under the name Kristina Pérez). How do you make the mental transition from writing historical fantasy to sci-fi (with magic elements)?
The voice is quite different between the projects since SBW is epic fantasy and The Tesla Legacy is set in contemporary New York, but the research and planning for both is fairly similar. Without spoiling too much, for Tesla, I’ve decided which scientists throughout history would have joined which rival alchemist society and why. Even if that information doesn’t make it onto the page, I have it in my notes, and I approached the world building in the same way. For me, creating a convincing world is essential whether it’s high fantasy, historical fiction, or contemporary Manhattan. Each setting, society and culture is unique. In terms of switching between the voices, I have very different playlists for both projects that help me shift gears and I create mood boards on Pinterest.
Your work contains so many thrilling twists and turns—do you plan most of these in advance, or do they come to you as you write… as if by magic?
Totally a plotter. Sometimes a new idea will surprise me while I’m writing but I’m fairly dogmatic. I used to compete on my school chess team and I have a tendency to game things out pretty far in advance!
What’s next for you?
Wild Savage Stars, the sequel to Sweet Black Waves, releases on August 27th, 2019 and I’m hard at work on the conclusion to the trilogy.
Thank you so much Kristina and Sara!
You can buy a copy of The Tesla Legacy wherever books are sold or borrow it from your local library!
On this new moon, we are delighted to share a conversation Las Musas had with Aida Salazar about her just released debut book, THE MOON WITHIN. But first, enjoy this slide show of Las Musas' love for the book. Read till the end and comment for your chance to receive a signed copy of The Moon Within!
This book deals with menstruation, which many adults are still reluctant to discuss openly. What is one menstruation myth you absolutely wanted to debunk in this novel?
I didn’t want to debunk a myth per se but more of a general attitude towards menstruation that is absent of respect, reverence and love toward a natural phenomenon that half of humanity experiences. Patriarchal and puritanical views of menstruation have created a culture of silence and shame that has hurt many and that needs to be dismantled. My intention was to show a world where respect, reverence and love for our cycles was the norm, the expectation, and a way to push back against the negative and hurtful attitudes we’ve endured.
One character in The Moon Within begins the process of transitioning during the novel as they explore their gender. Why is it important to discuss menstruation in the context of diverse gender identities?
This book was written for blooming menstruators of all genders. I wanted the blossoming of the main character (girlhood into womanhood) to mirror the blossoming of her best friend into his gender, a xochihuah. Each blossoming is a universe apart but similar in its impact and understanding of their own coming of age during a tender age.
Most of the people who menstruate are girls or women and sometimes menstruators are gender expansive. Though I don’t go into Marco’s specific experience with menstruation and only really hint at it because I didn’t think I could authentically tell that story as a cis gender woman, I wanted to include in the book the notion that bodies, regardless of gender, can and do bleed monthly so as to expand understanding for readers that menstruation is not only a woman’s experience. Also, I included La Chuyina, the trans feminine character to affirm that womanhood too, is not dependent on bleeding.
What I could speak to was how clumsy and wrong we can be when we aren’t good allies to our gender expansive friends. I sought to challenge readers, my community in particular, in our often-bigoted views. I used Mesoamerican philosophy to help us remember that our pre-colonial ideas of gender were more fluid than the binary that is dominant today. I saw an opportunity to show how one community used a different approach, one that was grounded in Mexica spirituality, to show compassion and respect for gender expansiveness.
Your first two published novels will both be MG verse novels. What do you find most compelling about this format? Do you always write poetry?
Poetry has been with me since my first writings as a teen. Though I also write prose, I always aim for my prose to be infused with poetry and lyricism. This is the kind of writing I like to read and find most intriguing -- writing that is rich in metaphor, and unusual phrasing, writing that enters the emotional essence of a character to show us a truth about humanity that we don’t often see. I love verse novels for these very same qualities. There is a tension at play between elements that poetry gives us (economy of words, metaphor, simile, form, white space, etc.) and the standard elements in crafting a story (conflict, plot, character arc, etc.) I love the hybridity of this space, I love this tension. With verse novels you can’t spend too much time waxing poetic because you do have a story to tell but you can bring the poetic point of view into every speech, action and plot point as you go. Verse novels are a wonderful space from which to tell a story that is unique, vulnerable and compelling at once.
Music plays such a big part of Celi’s journey. It wasn’t just a layer, but it connected to her journey of identity and history. Why was music so important? How did you work it into the text?
I’m a firm believer in the power of the arts (music, theater, dance, literature, visual art, etc.) to transform lives. Writing radically transformed mine. It gave me a connection to my history, developed my own spirituality, and gave me entry into many universes of understanding. I would argue that this is true for most practitioners of the arts. I wanted to show through Celi how dance and music are gateways to understanding, are cultural markers, identity builders, strength builders, and how ultimately, they are radical acts of love. I wanted to show readers that the arts, their own imaginations and expressions, are a wonderful place in which to find agency and strength.
What inspired you to write The Moon Within? And what do you hope readers will find in the story?
I was inspired to write The Moon Within as my eleven-year-old daughter began to ask questions about her changing body. As a Xicana feminist, I wanted to offer her a different way into the understanding of this important transformation than I had been given. I wanted her experience to be grounded in body-positive self-knowledge and self-love, in a connection to her ancestry, and the power that is inherent in all of that beauty. I’ve been a moon disciple for decades — marveling, exploring, and ritualizing our connection to her — through astrology, astronomy, spirituality, and the study of pre-colonial Mexican history. We held a ceremony to honor my daughter’s menstruation that was informed by this love of the moon. As a writer, I wanted to share our experience of this magical ritual through story with other children. While there are numerous nonfiction books about menstruation for middle grades, there is a gaping hole in fictional literature for this group. It is very likely (and I say this with a great amount of disbelief and grief) that The Moon Within is the first book in forty-seven years, since Judy Blume’s Are You There God, It’s Me Margaret, to center menstruation in its narrative. It is the first (again, incredulously and sadly) to ever fictionally reflect menstruation from the Latinx perspective. I was very intentional about sharing ideas of the beauty and power of menstruation Mesoamerican traditions teach us that departed from the often-negative views of our current patriarchal and colonized society. I wanted to reframe the conversation around menstruation by showing what would happen if we, in fact, honored and revered these processes instead.
I was happy to see that Celi was a relatively early bloomer, and I think a lot of girls of color will relate to that. Did you ever consider a different age for Celi, and how did you settle on eleven?
Early bloomers walk on a tight rope of these two massively different worlds. It is difficult to be wholly a child and yet your body does these wild things. Breast buds, pubic hair, smelly pits, moon cylces – it is all the more confusing the younger you are. My daughter entered puberty early (much earlier than I did) and I found it necessary to try to demystify it age-appropriately so that she could understand it without fear. As I began to ask around, I discovered that many women I knew or in my family had started as early as nine! This further affirmed my resolve to keep Celi at eleven and to show that this tight rope can be walked successfully for someone that young.
Thank you so much for joining us in the conversation. To purchase THE MOON WITHIN, visit Booklandia (a Latina-owned online bookseller) or other independent bookstores as well as major retailers where books are sold.
Enter a comment below for your chance to win a signed copy of THE MOON WITHIN!
Happy new moon!
I’m so excited to share the newest Las Musas debut, Tehlor Kay Mejia’s We Set The Dark on Fire. Tehlor and I met on social media as querying writers. We both live in Oregon and have become great friends. For this post, we decided to do a version of what we do most days—chat about books and life and politics and writing. As a starting point, I pulled a tarot card, concentrating on Tehlor’s amazing journey with this amazing book.
TEHLOR: Hi. I’m so excited
MICHELLE: Me too!!! I'm thinking about your book and I can't believe it's really out in the world.
TEHLOR: I honestly can't believe it either, it's so surreal.
MICHELLE: So I drew a card for you and it's the Queen of Wands! Which is kind of on the nose but really amazing!
TEHLOR: Right?? Very on the nose but also I'm so glad. It feels pretty optimistic…
MICHELLE: YES! She’s one of my favorite cards. So, the wands to me are about instinct and will. How does that resonate with you when you think about your journey with We Set The Dark on Fire?
TEHLOR: I feel like this journey has been almost PURE instinct and will for me, which is why I'm laughing about this card. There was kind of no indication in my life leading up to writing this book that what's happening now was possible, so a lot of it was based on trusting my instincts and having faith in myself and my work and being willing to push forward despite overwhelming odds and obstacles.
MICHELLE: If you look back, can you find the seed of that in your life before you became a writer? Where does that come from in you?
TEHLOR: I think I've always been a really determined person. I don't think it comes from a place of confidence necessarily, because that's something I've always struggled with, so it's probably more akin to stubbornness. The more the world seems set up to block me from doing something, the more determined I become to do it. In that sense, I guess this is the perfect business for me.
MICHELLE: That makes sense! Another aspect of the Queen is that she's an icon of personal power and sexuality, which is so perfect for We Set The Dark of Fire. What was it like to write a character like Dani, who is so reserved?
TEHLOR: I think a lot of writing Dani was based on my experience as a teen. I was really insecure about how I looked, but I got a lot of positive validation from the people around me for being smart and focused, so I traded one thing for the other. I thought if I could be smart enough and driven enough and perform well enough, I could somehow make up for needing to be validated in those other ways, and society was all-too eager to reinforce that by putting me in the "smart girl" box where you're kind of weirdly desexualized. Obviously, Dani's categorization is much more external because of the way Medio's society is set up, but I think there's the same sense of leaning into one set of expectations to try to shut down your desire to be seen as a sexual being. That can't last forever though, as Dani and I both eventually found out.
MICHELLE: I love how that binary shows up in the Primera/Segunda roles of the wife pairs in We Set the Dark on Fire. Externalizing that dichotomy into two wives who ultimately fall in love was a beautiful example of both how fractured we are by the patriarchy and how we can begin to move past it. Did you know right away that this book was going to be a love story as well as a speculative novel about patriarchy and class?
TEHLOR: Thank you! I did always know it was going to be a romance, but the players changed a little from the first conception of the story to the way it is now. I knew that a sexual and romantic awakening was going to be a big part of Dani's journey, but initially (I'll blame it on heteronormative socialization) I thought it would be her and her husband who fell in love. It took almost no time at all once I started developing Carmen as a character for me to realize she and Dani were the real love story, which left me free to explore toxic masculinity with Mateo without having to find a way to redeem him. I do love that you picked up on Dani and Carmen as two fractured parts of the feminine whole destroyed by the patriarchy, though. I hope their love story shows that even if you don't have a lover to show you the other side, we can bring those disparate parts of ourselves together and heal what a patriarchal society has broken in us.
MICHELLE: I love that! That’s totally the way I see it, too—as a story about finding wholeness. So finally, circling back to the Queen of Wands, when this card shows up in a reading, I'm excited because it shows someone really coming into their power. I've been thinking about the idea of personal sovereignty a lot lately and this regal image in connection with both the story of We Set The Dark on Fire and your journey as a writer feels perfect to me. During the time I've known you, you've had an explosion of personal growth and professional accomplishment. Was there something specifically empowering about becoming an author and writing this book? And what do you hope readers will take away?
TEHLOR: I think I've spent a lot of my life feeling small, as a result of other people diminishing me, and as a result of diminishing myself to fit into dynamics and relationships that didn't allow me the space to be fully myself. There was something about the process of writing this particular book, and the life stuff that was happening to me at the time -- divorce, moving, family stuff -- that made it sort of impossible to stay small anymore. I resisted it at first, as I think a lot of people do. It felt scary to step into it all and embrace it. But I do think exploring this story on the page and bringing these girls through their own transformations was really personal for me in a way I'm just now starting to understand.
As far as what I hope readers will take away, I hope people see that young women are too nuanced and fierce and complex to be reduced to the stereotypes they're so commonly associated with. I hope they see the power in being a girl when you really embrace all that it means to be one. But honestly, I really just hope every young woman who reads and enjoys this book finds one little thing she needs. Something that makes her feel braver or stronger or more seen. That's the best outcome I could possibly hope for.
MICHELLE: Thank you for doing this, Tehlor! I’m so excited for the world to meet Dani and Carmen and can’t wait to see what other adventures are ahead for you. Congratulations on your debut!
You can buy your copy of WE SET THE DARK ON FIRE at your local bookstore or online!
Gather round, gente! There is Las Musas magic brewing over Anna Meriano's just released novel, A Sprinkle of Spirits - the sequel to her debut, Love Sugar Magic! Las Musas sat down with Anna to ask how she brought her newest book to life.
*Read to the end to find out how you can enter to win a GIVEAWAY of this magical book!
In A Sprinkle of Spirits, Leonora Logroño is finally learning her family's bakery bruja magic, but trouble bubbles up again when her dead grandmother appears in her room! It turns out that spirits are popping back to life all over town, and Leo will need help to solve the mystery of what caused the chaos--and how to stop it! The Logroños return in a new story featuring a heaping helping of amor, azúcar, and magia.
What were your personal experiences that motivated you to write the Love Sugar Magic series?
The seed for this series came from Cake Literary, but I loved how the story felt personal. So much of Leo and her tight-knit family comes from my life, and I love that I get to write about language, family, community, Texas, and food in a way that feels true to me. One of the main goals of the series is to celebrate the joy of Leo’s family traditions, and even though her family has some differences from mine (unfortunately, we are not magical bakers), that joy is coming from my own experience.
What is your personal relationship with magic, in, like, your real daily life?
I love this question so much! I feel like it’s hard to organize my answer because I have so many different thoughts about this. I’ve always believed in magic in a nonspecific way, fascinated by everything from catholic saints to fairies to psychic powers. We light Guadalupe candles in my house when we’re hoping for something or going through a hard time, and I heard stories about how my grandma used to fast on days that my dad had important tests in school. When I’m in a rational mood, I think that being a human is full of uncertainty and confusion, and different mystical and spiritual beliefs help us process and overcome our fear in a healthy way; or I think that “magic” is actually scientific research that hasn’t been recognized by certain cultural systems. Other times I find it totally unbelievable to think that there is no magic in the world, especially when human knowledge and understanding falls so far short of explaining existence. These days I’m very interested in the magic power held by words and communication--the power to change minds and recreate the world.
You do a great job of portraying the complex relationships among sisters; what information did you draw upon since you yourself don’t have any sisters?
I don’t have sisters, but my mom is one of six sisters (and nine siblings total), so I hear a lot of their stories about growing up. I’m also very close with my cousins on both sides of my family, so I’m no stranger to being surrounded by a lot of relatives. Finally, I’m the middle child between my two brothers, so I feel like I can relate to sibling dynamics from both sides. Thanks Michael and Gabriel!
Describe your favorite place to create writing magic?
I’m a total coffee shop person. Working from home is convenient, but so much less efficient for me. I especially love places where there are lots of other folks working around me, because the peer pressure and background noise helps keep me focused. I used to worry about spending money on drinks, but one of my visual artist friend told me how much he spends to rent studio space and I calculated my monthly coffee shop bill and realized that I’m getting a bargain!
What is your “must have” to get into the writing zone?
I’ve become a time-thief of a writer lately, sneaking writing time into the odd half hours between work, so I’m a bit more flexible about getting into the zone now than I used to be, but I definitely do my best work when I have snacks readily available (another reason I love coffee shops)!
As a sophomore writer, what did you learn from your second novel, Love Sugar Magic-A Sprinkle of Spirits?
I learned how hard (but rewarding) it is to let your characters grow! We went back and forth a bit with the outline for book two because I didn’t want Leo to make the same mistakes she made before, but I still needed a plot to happen. I’m running into a similar issue with book three as well--it’s so interesting and exciting to have to find ways to challenge Leo and push her into bad decisions without undercutting her growth at the end of each book.
What do you hope readers take away from your Love Sugar Magic series?
I hope that each and every reader comes away feeling excited about the magic of their own ability, whether that’s baking, reading, or something else entirely. I hope that Mexican American kids see themselves and their families on the page, and I hope that all kids feel welcome in Rose Hill.
Your books have the most colorful, magical covers! Can you tell us about the illustrator?
MIRELLE ORTEGA! Mirelle is my favorite person and artist, and I feel so so lucky that she was able to bring Leo to life on two gorgeous covers (so far). I’ve seen firsthand the magical way the covers catch people’s--especially kids’--interest. If you want to see more from Mirelle, she’s illustrating Vote for Effie as well as some picture books, and she has beautiful artwork up on her website and available at her store! (I especially recommend her Mexican fairy tale t-shirts!)
What's a sinfully sugary dessert you and your character Leonora love?
Haha, the short answer is anything and everything! We both love puerquitos and pan dulce of all kinds, of course! We’re both extremely fond of cinnamon rolls, and I feel like I should also mention red bean buns since I’m eating one as I type this! The biggest difference in our tastes is that Leo is a little bit more of a dessert snob than I am--I am totally here for store-bought cookies and cupcakes that come wrapped in plastic with neon chemical frosting, while Leo prefers things that are more fresh and homemade.
What are you working on next?
Lots of exciting things! Most definite and probably most exciting, there is a third Love Sugar Magic book coming along that will deal with the slight cliffhanger at the end of book two (sorry not sorry). I’m also working with my agent Patricia Nelson to polish up a YA contemporary that includes a very magical sport. I’ve got a couple other secret or early stage projects that I’m hoping I can share more about soon, plus working with my wonderful students around Houston and hopefully traveling a bit to meet more writers and readers.
Leave a comment below to enter a chance to WIN your own copy of A Sprinkle of Spirits!
Want more of Anna Meriano? Follow Love Sugar Magic: A Sprinkle of Spirits Blog Tour!
February 5 Nerdy Book Club
February 7 Las Musas Reads
February 9 Charlotte's Library
February 10 A Library Mama
February 11 Boricua Reads
February 12 YAYOMG
February 13 Pragmaticmom
February 14 Latinos in Kidlit
February 14. 24hr.yabookblog
How can we complain about winter when it's already brought us such treasures such as middle-grade novel Blizzard Besties, from Argentine-American author Yamile (sha-MEE-lay) Saied Méndez? In addition to writing at break-neck speeds (she has five books coming out in the next two years!) Yamile is fútbol-obsessed, and loves meteor showers, summer, astrology, and pizza. She lives in Utah with her Puerto Rican husband and their five kids, two adorable dogs, and one majestic cat. An inaugural Walter Dean Myers Grant recipient, she’s also a graduate of Voices of Our Nations (VONA) and the Vermont College of Fine Arts MFA Writing for Children’s and Young Adult program. She’s a PB, MG, and YA author. She’s also the children’s lit guest editor at Hunger Mountain literary journal and a writing mentor.
Yamile’s Las Musas hermana Ann Dávila Cardinal interviewed her about this fabulous new release!
Tell us how Blizzard Bestiescame about. Give us some backstory on the story!
Blizzard Besties came from a need for adventure stories featuring kids of color in the current market. My main focus was to show kids having fun, getting in trouble, and navigating friendship and family dynamics.
Why a ski vacation novel? Do you ski?
My kids, Utah born and raised, love to ski and snowboard. Of course, in the 20+ years of living in Utah, I have been skiing a few times (that I can count with one hand), but I really don’t enjoy it. I’m a summer creature! We have cold winters in Argentina, where I’m from, and I’d detested being cold since I was a child. I’m even allergic to cold! (It’s a real condition. Look it up!). But honestly, snow is magical and beautiful. When I thought of the worst situation in which I could put my characters, trapped in a haunted house during blizzard was at the top of my list. Of course, I say this as an adult. For my kids and their friends, this scenario is the epitome of fun and adventure. Also, Utah’s slogan in “Best Snow on Earth,” and if you’re going to suffer in the snow, it might as well be in the best snow there is, right?
Dogs play a big role in this novel, are you a dog-person?
I’m an all-around animal person! I have two dogs I adore: Dandelion (Dandi) the Yorkie, and November (Nova) the Labradoodle. I also have a cat, Coraline (Cora). I love animals and my life wouldn’t be complete without them.
This is a novel about friendship. What is it you hope your readers will walk away with in terms of that important topic?
Friendship is such a vital element in life, not only as a child, but in every stage. I’m blessed with a multitude of friends whom I consider my family. I also wanted to show that friendships evolve, change, and sometimes die, and that’s okay. When there’s an unbalanced or unhealthy friendship, it’s okay to move on, and it’s okay to give people we’d never considered before a chance to become friends.
What advice might you have for newbie writers interested in writing for children?
My number one advice is to read. Read widely, read voraciously, read carefully, analyzing the books that resonate with you.
And my number two advice is to write. Write what interests and motivates you. Write voraciously and carefully. But most of all, write from the heart, even if it’s “only” an adventure story. It it’s not from the heart, you won’t connect to your readers. The main purpose of reading and writing is to connect with someone through time and space. Isn’t this a magical thing?
How did it feel to see Blizzard Bestieson the cover of the Scholastic flyer???
It was a dream come true! I didn’t grow up in the States, so I didn’t have the classic experience of attending the Scholastic Book Fair at school. But sometimes my mom ordered books from The Reader’s Circle catalog, and I used to pore over the brochures, reading the book summaries over and over although it was very rare when I got to order the books and much less read them. I had a flash of little Yamile seeing her book on the catalog, and my heart exploded in rainbows and shooting stars. As an adult, my favorite time of the year is when I see my kids super excited about the book fair coming to their school, and seeing my book in the catalog catapulted me to “cool mom” status among them.
What are you working on now?
I’m working on so many things! I have several books (both announced and unannounced) coming out through 2021. WHERE ARE YOU FROM?(PB, Harper, June 2019) and ON THESE MAGIC SHORES?(MG, Lee and Low/Tu Books 2020) are finished, and I can’t wait to share them with my readers! While I wait for them to be officially out, I’m revising a YA contemporary novel set in Argentina and featuring the #NiUnaMenos movement in Latin America, and another still secret MG for Scholastic that has a lot of the elements readers will love about BLIZZARD BESTIES.
So run out and get a copy of Blizzard Besties as a gift for someone you love!
Find the fabulous Yamile and follow her numerous upcoming releases at yamilesmendez.com and @YamileSMendez.
We are so excited to present our next Musa book, THE RESOLUTIONS, by Mia Garcia, which is a YA story about friendship and community, and which received a starred review from School Library Journal!
From hiking trips to four-person birthday parties to never-ending group texts, Jess, Lee, Ryan, and Nora have always been inseparable. But now, with senior year on the horizon, they’ve been growing apart. And so, as always, Jess makes a plan.
Reinstating their usual tradition of making resolutions together on New Year’s Eve, Jess adds a new twist: instead of making their own resolutions, the four friends assign them to one another—dares like kiss someone you know is wrong for you, find your calling outside your mom’s Puerto Rican restaurant, finally learn Spanish, and say yes to everything.
But as the year unfolds, Jess, Lee, Ryan, and Nora test the bonds that hold them together. And amid first loves, heartbreaks, and life-changing decisions, beginning again is never as simple as it seems.
In celebration of the release of her second book, Mia made her infamous quesitos and sat down to chat with fellow Musas Hilda Burgos, Nina Moreno, Aida Salazar, Natasha Diaz, Michelle Ruiz Keil, Yamile Said Mendez, Nonieqa Ramos, Claribel Ortega, Jen Cervantes, and Ann Davila Cardinal.
Hilda: Mia, tell us about these delicious quesitos. Can you share your recipe with us?
YES! I found this super easy recipe from The Kitchen Gidget and so far they’ve been great. I play a little bit with the vanilla and sugar until I like the flavor, but it’s a really good recipe. And of course don’t be afraid to add guava paste (best ingredient in the world and I always have a can squirreled away for baking).
Hilda: We are all so thrilled that your second book is out now! I’m wondering what insights you have as a sophomore writer that you did not have the first time around. Is there anything you know now that you wish you had known as you wrote your debut novel?
I wish I did have more insights- haha! You always hear writers say with each new project that they’ve forgotten how to write and it’s absolutely true. I’m writing my third book now and it feels like I’ve never completed a novel in my life! The tricks that work with one may not work with others. For me it’s more about reminders as opposed to insights. Reminder that I can do this, that I did this, and not to give up.
I do have some post-writing insight! With The Resolutions I understood that I had to become my own publicist and not rely on anyone else, including my publisher. Not to say they weren’t wonderful, but hundreds of books are published a year and they can’t all have marketing’s time and budget.
I set aside a budget for myself, a timeline, a list of bloggers to reach out to, festivals to research, and commissioned my own promo. I’m exhausted but really proud of what I’ve accomplished and what’s still to come.
Nina: What resolution would you give your teen self?
Care less. WAIT, that sounds horrible, but what I mean is that as a teen I stopped myself from liking a lot of the stuff I liked (comics, horror movies, etc) or hid it very well, because I was worried about what others thought of me. I wanted everyone to like me all the time. ALL THE TIME. I would tell my teen self to take deep breaths and love what I love.
Nina & Michelle: Which of the four friends did you relate to the most? Were any POV’s easier to write?
All four! I hid a little of myself in each one like a horcrux. Jess got my anxiety (I’M SORRY, JESS), Ryan got my worries about validation, Nora has my love of baking and family obligations, Lee has my attitude and stress about not being Latinx enough. They are all my babies and I will protect them, while also messing with theirs lives a bit...
I’m not sure if any specific POV was easier to write but I will say (and this is a trigger warning for the book) Jess’s two panic attacks in the book were the easiest to write and required the least editing. I pulled them from my own experience and there’s just something about those moments that you don’t forget; they were right there when I needed them.
Michelle: When was the first time you saw yourself represented in a book?
I’m not sure I have yet, but I haven’t been specifically looking (don’t ask me what that means psychologically), and it hasn’t stopped me from loving characters in books or connecting to one specific storyline. I’m not sure I will ever see myself 100% in a novel, but seeing the growing list of Latinx characters in books and media warms my cold heart.
Natasha: Why was it important for you to tell a biracial Latinx narrative for one of the characters? How did you prepare for that?
I’m beyond excited that this book has FOUR Latinx leads. The Latinx community is such a diverse one, it’s not tied to one specific race, and we rarely see many of the people represented in it.
Take for example the Asian-Latinx community. Did you know that there are large populations of Japanese in Brazil and Peru? Many communities in the Caribbean (including the Dominican Republic and Puerto Rico) have Chinese ancestry, but we rarely hear about it.
Because not only is the Latinx community a minority in media overall, but we are rarely represented outside of the mixed/passing or white-latinx identities. What about Afro-Latinxs? What about Indigenous-Latinx and those relationships with colonization and violence? Where are those narratives?
We have to move away from this one type of Latinx image. In The Resolutions Ryan is Taiwanese-Puerto Rican and incredibly proud of his heritage. He doesn’t feel divided, he loves his family and his culture. It’s only one book, but I hope it adds to the growing diversity of voices that will eventually widen the breath of Latinx lit and representation.
Aida: This story depicts the journeys of such different characters and each in a prominent way. How did you organize and then so seamlessly fold their journey into a collective story?
Excellent question. Each character had their way to see the world. I made sure they each had a trait or an outlook that colored their narrative. As a painter Ryan often broke things down to paint colors and techniques, Jess’s stress means her sentences run a bit long and tumble into each other at time, and so on.
Once the voices were tuned (or maybe the instruments if we continue with this metaphor) their rhythms had to work together to make the song (the novel). Because of this I didn’t edit the stories separately (meaning I didn’t look at only Jess’s and only Ryan’s individually) but adjusted and edited as one went into the other.
Aida: The queerness of some of the characters was beautifully portrayed. It was easily integrated and unquestioned which was so refreshing. How did you come to make this choice?
Thank you so much for asking this question! As someone who is still questioning this part of my identity I think that in order to work towards seeing/accepting the spectrum of sexuality in a positive/normal light is to show it in that light.
To show the happiness and the possibilities and not just the pain and struggle, which I feel is a point often brought up in stories focusing on marginalized communities. There’s more than just pain (that’s there, yes) but we can’t disregard the influence/effect of seeing LGBTQ characters (both POC and non-POC) who are happy and thriving in their identities with support from loved ones. It should not be as radical as it is!
Aida! I feel like I have so much to say about this, but I’ll sound super cheesy, and lovely dovey.
NoNieqa: How can your book be used in the classroom to engage both Latinx and non-Latinx students? What questions would you like to see arise?
So far I’ve been floored at how much people connect to each character’s struggle with anxiety and cultural expectations. I hope it’s another step forward in exploring the diverse Latinx experience, but overall this is a book about friendship - strong friendships - and I think there’s something really important about identifying and working on the positive relationships in your life.
Yamile: How would you cast a The Resolutions movie?
I AM OLD AND KNOW NO TEEN ACTORS. Every actor I know is either in their 20s (*cough* CW network) or Doc Mcstuffins...I have 8-year-old nieces.
Apologies, I’ve been reminded that Doc is a cartoon, but still she does a lot of good work. Oh wait, now that I think about it, I think Isabella Gomez (One Day at a Time) would make a good Nora.
Claribel: What’s been the hardest and the most rewarding part of your journey to publication so far?
The most rewarding has been getting to meet and know new authors (like Las Musas!) and knowing I can push myself more than I think. Hardest is always reconciling expectations with reality.
Jen: What is your writing Kryptonite?
I’m deathly afraid of series - I can’t imagine keeping all that in my head! But I must say plotting is my weakness. It takes me several drafts before I find the thread that links them all together. Before that it’s just a bunch of people talking and eating good food.
Ann: If you could go back and whisper to the who you were at the very beginning of writing this book, what would you tell yourself?
Run. (I’m kidding.) I would say, you don’t think you need a more detailed outline BUT YOU DO, go back and do it again before you start.
Claribel: Can you tell us about any other projects you have in the works?
If I talk about it I have to finish it right? At the moment it’s a historical fantasy about love, loss, depression, isolation, and friendship. It’s demanding a lot from me so it’s going slow.
THE WIND CALLED MY NAME by Mary Louise Sanchez
Some days, ten-year-old Margarita Sandoval feels as if the wind might blow her away. The country has been gripped by the Great Depression, so times are hard everywhere. Then she has to leave her família in New Mexico -- especially her beloved Abuelita -- to move to Fort Steele, Wyoming, where her father has taken a job on the railroad.
When Margarita meets Caroline, she's excited to have a friend her own age in Wyoming. But it often seems like Caroline, like many other people in town, doesn't understand or appreciate the Sandovals' Hispanic heritage. At the same time, the Sandovals discover that Abuelita might lose her home unless they can pay off her tax bill. Can Margarita keep her friend, help her family in New Mexico, and find a place in Fort Steele for good?
What inspired you to write this book?
I wanted to give my mother her story about growing up in a small southern Wyoming town. She received the seven page version and I know she’d be excited to read this final version.
What message do you hope your book will send readers?
Honor diversity and let each person define how they see themselves.
What was the most difficult scene to write?
One scene where Margarita thinks Caroline is not a true friend tested me because I was writing from a personal memory and it was hard to define my emotions from the past.
What scene came the easiest?
Food scenes, especially involving New Mexican foods, are fairly easy because I still cook the foods and have strong memories of food and family that I like to return to in my writing.
What kind of research did you have to do for this book?
I read about the Great Depression and its effect on New Mexico and Colorado. I also read about the culture of the times in terms of music, famous people like Shirley Temple, and even politics. My brother explained the various jobs on the Union Pacific Railroad and the work conditions for section workers like my grandfather. My editor pressed for information about steam engines, so I researched them in order to describe my protagonist’s first impression of seeing one. We also took a trip to Fort Steele, Wyoming and this time I looked at the familiar town through my adult eyes and heard my aunt’s viewpoint growing up there during the Great Depression.
Did you draw on any personal or family stories for this novel?
My mother received a special gift at a school Christmas party when she was a child, and that became the impetus for the ending of my story. Growing up we always heard the various stories about ancestors, so some of that comes up in The Wind Called My Name, particularly when Margarita’s sister shares information in school about her great-grandfather serving in the Civil War in New Mexico.
Can you talk about what you’re working on next?
My picture book, again with New Mexican culture, got the “green light” that it’s ready to submit, according to a New York agent who heard it at our local Rocky Mountain SCBWI conference in September. After all the book launch hoopla dies down, I will submit the story. I’d also like to revisit my historical fiction middle grade story set during WWII in Wyoming.
If you could spend a day with any character in your book who would it be and why?
Of course I’ve love to see my mother again (she’s Margarita, the protagonist). We lost her to ovarian cancer sixteen years ago, but I’d also like to hear my great-grandmother Rufina (Maldonado) Maes’ stories of her ancestors. She’s Abuela Rufina in my story. I’ve been able to trace so many of her ancestors back to the 1500’s and 1600s’ and would love to hear her personal memories and stories.
The wind seems to be a prominent metaphoric theme in your story. Can you tell us how this came to be?
The wind stripped the land during the Great Depression and caused a great migration of New Mexican people, pushing them to seek jobs in Wyoming. In my story, people in Wyoming pushed back, like the ever present and familiar wind, against the new arrivals--especially if they were different.
This book’s storyline is reminiscent of Roll of Thunder Hear my Cry because it speaks about a family’s journey through financial and racial hardship during the Depression but of course, from a young Latina’s perspective. Was that book a source or an inspiration in any way? If not, from where did this story emerge?
I did reread the book because it was set during the Depression, so it had to have unconsciously influenced me to a degree. But the story emerged from my mother’s childhood memories of growing up in an old Civil War town that was originally built to protect the men who were building the railroad there.
When crafting the story, how did you decide to write from this point of view?
This story was always about Margarita’s point of view.
What drew you to write a piece of historical fiction?
I’m a big history and genealogy buff and I love delving into the past to learn people’s stories and/or imagining them.
Do you see yourself writing more historical fiction?
I absolutely see the potential for telling stories of those brave colonists, especially the women, who settled New Mexico when it was called Nueva Espana.
We are thrilled to introduce you to our second official Las Musas launch - ANA MARIA REYES DOES NOT LIVE IN A CASTLE by Hilda Burgos. Las Musas asked Hilda about her middle grade novel out this week (Tu Books) which received stars from Kirkus Reviews and School Library Journal and has been called "A Latina Little Women with a modern Washington Heights flair" by Julia Alvarez.
First, you need to know that...
Her last name may mean kings, but Ana María Reyes REALLY does not live in a castle. Rather, she's stuck in a tiny apartment with two parents (way too lovey-dovey), three sisters (way too dramatic), everyone's friends (way too often), and a piano (which she never gets to practice). And when her parents announce a new baby is coming, that means they'll have even less time for Ana María.
Pobre Ana Maria!!
Then she hears about the Eleanor School, New York City's best private academy. If Ana María can win a scholarship, she'll be able to get out of her Washington Heights neighborhood school and achieve the education she's longed for. To stand out, she'll need to nail her piano piece at the upcoming city showcase, which means she has to practice through her sisters' hijinks, the neighbors' visits, a family trip to the Dominican Republic . . . right up until the baby's birth! But some new friends and honest conversations help her figure out what truly matters, and know that she can succeed no matter what. Ana María Reyes may not be royal, but she's certain to come out on top.
What inspired you to write a character like Ana Maria?
As a child, I loved school and I loved to read. While I enjoyed reading about kids who were different from me, I also longed to connect with some characters. Not once did I read about a kid like me: bilingual, living in a small apartment with a large family, with many extended family members in another country. So, I decided to create that character myself.
The many places in this book seem like they are almost characters in the book - the not castle, the prep school, the DR… Why were these different spaces important to write?
I think we’re shaped by a lot of things, including our experiences and the places where we have those experiences. Like Ana María, I grew up in an apartment in Washington Heights. When I was ten years old, I visited the Dominican Republic for the first time, and I was surprised by how different it was from everything I had known until that point. I attended a small private school for two years in middle school and, although the school was within walking distance from my home, it seemed like a different world. I wanted Ana María to also experience some of the places that I visited, and to learn and grow from them, as I believe that I did too.
How does NYC act as a character in the story?
NYC has many different neighborhoods with people whose lives are so different from one another. Ana María complains about living in a small apartment in Washington Heights while her best friend lives in a big house in the nearby and much wealthier neighborhood of Riverdale. She and her family ride public transportation everywhere; the NYC subway system is a character in itself! And then there’s the fact that Washington Heights is a home away from home for her parents, and a place where Ana María and her sisters are surrounded by Dominican culture and the Spanish language even though they have never been outside of the US. This book would not have been the same if it had been set in a different location.
If you could go back and change one part of the story, what would it be?
This is a pretty dangerous question, because every time I read the book I made more changes, until I just had to stop looking at it! Like most writers, I’ll probably never think anything I write is perfect. Nevertheless, at this point, I wouldn’t change anything about the storyline, but I might add more details to my Dominican Republic scenes. I recently read Pablo Cartaya’s Marcus Vega Doesn’t Speak Spanish, and I really liked his vivid descriptions of Puerto Rico. As I read Cartaya’s descriptions, I thought that, if I were still editing my book, I would go back and see where I could paint a clearer picture of the DR.
What does a typical day of writing look like for you?
Since I have a full time job I write when I can, and I don’t really have a typical writing day. Mostly I write on weekends, and also some evenings. I think about what I’m going to write as I do other things, like walk my dog, do laundry, cook, load the dishwasher, etc. Then, when I have gathered up enough for a scene or a chapter, I sit down and put it on paper.
What message do you hope Ana María sends her readers?
That family and friendships are more important than material possessions, and that our choices can make a big difference in our lives and the lives of others.
Do you play an instrument like Ana María? What music do you love to play or listen to?
Although I haven’t played the piano in a while, I took lessons for many years as a child, and I played mostly classical music. As I got older, I also played ragtime and jazz, which was challenging and rhythmic, and so much fun to play. I enjoy listening to many styles of music, especially Latin music, not only for its wonderful beats but also because so many Spanish language songs have beautifully poetic lyrics.
Ana María feels threatened by the expected baby sibling. Do you have siblings, and are they older, younger or both?
I have two older sisters and one younger sister. This book actually started out as a short story where three sisters worried about the possibility of getting a brother now that their mother was pregnant again. It was inspired by my experiences when I was six years old and my youngest sister was born. Now my sister insists that she’s my musa!
Here is a photo of me and my sisters celebrating my First Communion:
Sometimes authors like to put a little of themselves in their characters - did you do that with Ana Maria or any of the other characters in the book?
Yes. Ana María’s specific experiences are fictional, but she and I have a lot in common. She is the daughter of Dominican immigrants, has three sisters, is growing up in Washington Heights, and loves school. She also has a stay-at-home mom and a highly educated father. I put a little of myself in the character of Ana María’s dad, too. He is a legal services lawyer (while my dad is a scientist) and I worked for legal services as my first job out of law school.
What was the most difficult scene to write?
The opening scene. The first sentence in the book is the same first sentence I wrote in my very first draft, but just about everything else changed from that first chapter. I struggled with the opening because I wanted my first scene to be interesting and engaging so that readers would not want to put the book down. I hope I managed to do that successfully.
What scene came the easiest?
Most of the scenes that include a lot of dialogue. Once I had my characters’ personalities clear in my mind, the conversations between them seemed to flow naturally through my fingers.
Can you talk about what you’re working on next?
It’s still in a very early stage, so I can’t say too much. It is another MG book, completely unrelated to this book. My main character is also the daughter of Dominican immigrants … and, that’s all I’ll say for now.
Go out and get your copy of ANA MARIA DOES NOT LIVE IN A CASTLE today!
We are beyond excited for the very first Musa book to be out in the world. A contemporary adventure based in Maya mythology, THE STORM RUNNER centers on Zane Obispo, a young boy who is constantly made fun of for his limp and walking cane, but whose life is completely changed when a twin-engine plane crashes into a dormant volcano in his backyard and introduces a mysterious girl named Brooks. Brooks tells him that the volcano is actually a centuries-old prison for the Maya god of death, whose destiny is directly tied to Zane's.
Brooks opens his eyes to the truth: magic, monsters, and gods are real, and Zane is at the center of an ancient prophecy that could mean the destruction of the world!
Dun dun DUN!!
No work of art would be complete without its Musa: Jennifer (J.C.) Cervantes! Jen is a children’s author who has earned multiple awards and recognitions, including the New Mexico Book Award, Zia Book Award, and was named a New Voices Pick by the American Booksellers Association for her first book Tortilla Sun. A champion of the underdog and believer in magic, Jen is the perfect Musa to bring THE STORM RUNNER to life.
Without further ado here is Jen!
You are the first Latinx writer in the Rick Riordan Present’s (Disney Hyperion) series. Why is it important to you that the Meso-American pantheon be represented in this series?
The mythologies kids learn about these days are predominantly Greek and Roman and sometimes, Norse. We are a country of immense diversity with so many cultures’ mythologies that are rich and varied. I want kids with ties to Mesoamerica/Mexico to know they have a pantheon of Maya gods, Aztec gods, Toltec gods etc. with amazing tales and histories. And kids without those ties? I want them to share in the awe of these stories and myths, to experience a new world.
Which is your favorite god or goddess in this pantheon and why?
Not a fair question because there are so many to love, but I’d have to say Ixkakaw because she’s the goddess of chocolate and who doesn’t LOVE chocolate?
What was your inspiration to write a main character with a disability? What sort of research did you have to do?
When I was a girl I was diagnosed with scoliosis, a curvature of the spine. It was common to be screened at school and I can so clearly remember walking out of the nurse’s office thinking that kids could see what I believed was a “deformity.” It was a powerful feeling, that sense of being different, of not belonging. A feeling I never forgot, which is why I dedicated this book to those who don’t feel like they belong. I also remember the stories my grandfather told me about his life with polio--how his legs were too skinny to be strong, how kids made fun of him, how he longed to play sports. It was important to me that Zane’s disability not define him, that I be mindful of the visibility and invisibility of his experiences and his feeling that he didn’t belong. So, I drew on personal experiences/accounts with people/children I know. I read a lot and I also worked closely with a special education scholar who has dedicated her life to teaching and working with kids with disabilities. She read the manuscript as well to ensure I remained mindful and aware of my character and his experience in an authentic way.
Is there a character that you didn’t like to write? If so, why?
I loved writing them all. Although, the demon runners with their slimy skin, foaming mouths, curved yellow claws, and hairy-patched bodies were at times spine-chilling.
Do you have any hidden messages in The Storm Runner that fans should look out for?
I have a few Easter eggs for sure
What is your biggest hope for The Storm Runner?
That it finds the hearts that need it most.
What is your favorite sentence in The Storm Runner?
Can I have two?
A booming voice came over a loudspeaker in the ceiling: “New soul on level three. Thinks he’s Shakespeare. Only speaks in iambic pentameter and I’m getting ready to smash in his face.
Destiny comes knocking, and if you don't open the door, she will come in through the window.
What was the scariest and best part about working with your own culture?
Scariest was wanting to get it “right” and worried I’d be judged for getting it “wrong.”
Best: I connected to some wonderful childhood memories of my grandmother and family.
If we wanted to try making delicious authentic hot chocolate at home what do you recommend?
You can follow a basic recipe but for me the real trick is the cayenne pepper and vanilla :)
Are you and Rick BFFs now?
Rick is way too cool for a BFF unless of course you’re Rosie (seen below) and then he’s all over it :)
Can you tell us a little about how you were able to land your deal?
My agent sent me a well-timed email as soon as Disney sent out the Rick Riordan Presents announcement. I happened to have a story in mind that had been lingering in the vault. So, I polished the first three chapters and wrote a synopsis. After my agent submitted I thought I’d be waiting on a response forever, but we got a call the next day!
What has it been like working with Rick Riordan and his imprint RRP?
Incredibly awesome! Everyone at DH/RRP has been so genuine, down to earth, and kind. I couldn’t ask for a better more supportive team. The first time I met Rick was in NYC right before we were going to go on stage at BEA. Intimidating? Pretty much, but he was so easy going and made the entire experience so chill which was good because I was a nervous wreck.
What advice would you give other Latinx aspiring fantasy writers?
Begin with what you know, what you grew up with. Tap into the magic that is so prevalent in our cultures and let that carry you through the story. Don’t let anyone tell you that your experience doesn’t matter or isn’t ______ enough (fill in the blank) or doesn’t align with the “norm.” Read loads of books, especially diverse titles, support diverse writers. Find a mentor, go to conferences as your budget allows, join fantasy writer groups, follow blogs. Have fun, throw away the rules on those early drafts, and write the story your heart longs to tell. Be authentic. And above all honor the kids you write for. They are smart and funny and so eager to see themselves and their lives reflected in the pages of books.
If you could turn one character into a real life human to go to dinner with, which would it be and why?
Ixtab: because she dresses like a boss, and is sassy, snarky and salty all at once. Pretty much everything I’m not. Ha!
What are you working on now? What’s next?
I just finished the sequel to The Storm Runner, The Fire Keeper which comes out Sept. 2019. And there’s some other exciting news that I hope I can share soon!
What does it mean to be part of Las Musas?
I am so thrilled to be a part of a cohesive supportive group with the mission to lift one another up and that “celebrates the diversity of voice, experience, and power in our communities.” Abrazos :)
Learn more about The Storm Runner and snag your copy here!