Welcome back to the Musas blog! This week Musa Sara Faring (The Tenth Girl) sat down with K.K. Pérez to discuss inspiration, balancing multiple projects, and of course her sophomore novel: The Tesla Legacy. 

THE TESLA LEGACY follows a precocious young scientist named Lucy Phelps whose fateful encounter in the Tesla Suite of the New Yorker Hotel unlocks her dormant electrical powers. As Lucy struggles to understand her new abilities through scientific experimentation, she is thrust into a centuries old battle between rival alchemical societies. One side wants her help and the other wants her dead, but both believe she is the next step in human evolution. Unfortunately, carriers of the genetic mutation―including Nikola Tesla―have a greatly reduced life expectancy. Even if Lucy can outrun her enemies, she can’t outrun herself.

​I’m so excited to share the newest Las Musas debut, Tehlor Kay Mejia’s We Set The Dark on Fire. Tehlor and I met on social media as querying writers. We both live in Oregon and have become great friends. For this post, we decided to do a version of what we do most days—chat about books and life and politics and writing. As a starting point, I pulled a tarot card, concentrating on Tehlor’s amazing journey with this amazing book.
 
TEHLOR: Hi. I’m so excited 
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MICHELLE: Me too!!! I'm thinking about your book and I can't believe it's really out in the world. 

TEHLOR: I honestly can't believe it either, it's so surreal.

MICHELLE: So I drew a card for you and it's the Queen of Wands! Which is kind of on the nose but really amazing!

TEHLOR: Right?? Very on the nose but also I'm so glad. It feels pretty optimistic…

MICHELLE: YES! She’s one of my favorite cards. So, the wands to me are about instinct and will. How does that resonate with you when you think about your journey with We Set The Dark on Fire?

TEHLOR: I feel like this journey has been almost PURE instinct and will for me, which is why I'm laughing about this card. There was kind of no indication in my life leading up to writing this book that what's happening now was possible, so a lot of it was based on trusting my instincts and having faith in myself and my work and being willing to push forward despite overwhelming odds and obstacles.

MICHELLE: If you look back, can you find the seed of that in your life before you became a writer? Where does that come from in you?

TEHLOR: I think I've always been a really determined person. I don't think it comes from a place of confidence necessarily, because that's something I've always struggled with, so it's probably more akin to stubbornness. The more the world seems set up to block me from doing something, the more determined I become to do it. In that sense, I guess this is the perfect business for me.

MICHELLE: That makes sense! Another aspect of the Queen is that she's an icon of personal power and sexuality, which is so perfect for We Set The Dark of Fire. What was it like to write a character like Dani, who is so reserved? 

TEHLOR: I think a lot of writing Dani was based on my experience as a teen. I was really insecure about how I looked, but I got a lot of positive validation from the people around me for being smart and focused, so I traded one thing for the other. I thought if I could be smart enough and driven enough and perform well enough, I could somehow make up for needing to be validated in those other ways, and society was all-too eager to reinforce that by putting me in the "smart girl" box where you're kind of weirdly desexualized. Obviously, Dani's categorization is much more external because of the way Medio's society is set up, but I think there's the same sense of leaning into one set of expectations to try to shut down your desire to be seen as a sexual being. That can't last forever though, as Dani and I both eventually found out.

MICHELLE: I love how that binary shows up in the Primera/Segunda roles of the wife pairs in We Set the Dark on Fire. Externalizing that dichotomy into two wives who ultimately fall in love was a beautiful example of both how fractured we are by the patriarchy and how we can begin to move past it. Did you know right away that this book was going to be a love story as well as a speculative novel about patriarchy and class? 

TEHLOR: Thank you! I did always know it was going to be a romance, but the players changed a little from the first conception of the story to the way it is now. I knew that a sexual and romantic awakening was going to be a big part of Dani's journey, but initially (I'll blame it on heteronormative socialization) I thought it would be her and her husband who fell in love. It took almost no time at all once I started developing Carmen as a character for me to realize she and Dani were the real love story, which left me free to explore toxic masculinity with Mateo without having to find a way to redeem him. I do love that you picked up on Dani and Carmen as two fractured parts of the feminine whole destroyed by the patriarchy, though. I hope their love story shows that even if you don't have a lover to show you the other side, we can bring those disparate parts of ourselves together and heal what a patriarchal society has broken in us.
 
MICHELLE: I love that! That’s totally the way I see it, too—as a story about finding wholeness. So finally, circling back to the Queen of Wands, when this card shows up in a reading, I'm excited because it shows someone really coming into their power. I've been thinking about the idea of personal sovereignty a lot lately and this regal image in connection with both the story of We Set The Dark on Fire and your journey as a writer feels perfect to me. During the time I've known you, you've had an explosion of personal growth and professional accomplishment. Was there something specifically empowering about becoming an author and writing this book? And what do you hope readers will take away? 

TEHLOR: I think I've spent a lot of my life feeling small, as a result of other people diminishing me, and as a result of diminishing myself to fit into dynamics and relationships that didn't allow me the space to be fully myself. There was something about the process of writing this particular book, and the life stuff that was happening to me at the time -- divorce, moving, family stuff -- that made it sort of impossible to stay small anymore. I resisted it at first, as I think a lot of people do. It felt scary to step into it all and embrace it. But I do think exploring this story on the page and bringing these girls through their own transformations was really personal for me in a way I'm just now starting to understand.

As far as what I hope readers will take away, I hope people see that young women are too nuanced and fierce and complex to be reduced to the stereotypes they're so commonly associated with. I hope they see the power in being a girl when you really embrace all that it means to be one. But honestly, I really just hope every young woman who reads and enjoys this book finds one little thing she needs. Something that makes her feel braver or stronger or more seen. That's the best outcome I could possibly hope for.

MICHELLE: Thank you for doing this, Tehlor! I’m so excited for the world to meet Dani and Carmen and can’t wait to see what other adventures are ahead for you. Congratulations on your debut!

You can buy your copy of WE SET THE DARK ON FIRE at your local bookstore or online!

Aida: This story depicts the journeys of such different characters and each in a prominent way. How did you organize and then so seamlessly fold their journey into a collective story? 
Excellent question. Each character had their way to see the world. I made sure they each had a trait or an outlook that colored their narrative. As a painter Ryan often broke things down to paint colors and techniques, Jess’s stress means her sentences run a bit long and tumble into each other at time, and so on. 
Once the voices were tuned (or maybe the instruments if we continue with this metaphor) their rhythms had to work together to make the song (the novel). Because of this I didn’t edit the stories separately (meaning I didn’t look at only Jess’s and only Ryan’s individually) but adjusted and edited as one went into the other. 
 
Aida: The queerness of some of the characters was beautifully portrayed. It was easily integrated and unquestioned which was so refreshing. How did you come to make this choice?
Thank you so much for asking this question! As someone who is still questioning this part of my identity I think that in order to work towards seeing/accepting the spectrum of sexuality in a positive/normal light is to show it in that light. 
To show the happiness and the possibilities and not just the pain and struggle, which I feel is a point often brought up in stories focusing on marginalized communities. There’s more than just pain (that’s there, yes) but we can’t disregard the influence/effect of seeing LGBTQ characters (both POC and non-POC) who are happy and thriving in their identities with support from loved ones.  It should not be as radical as it is! 
Aida! I feel like I have so much to say about this, but I’ll sound super cheesy, and lovely dovey. 
 
NoNieqa: How can your book be used in the classroom to engage both Latinx and non-Latinx students? What questions would you like to see arise?
So far I’ve been floored at how much people connect to each character’s struggle with anxiety and cultural expectations. I hope it’s another step forward in exploring the diverse Latinx experience, but overall this is a book about friendship - strong friendships - and I think there’s something really important about identifying and working on the positive relationships in your life. 
 
Yamile: How would you cast a The Resolutions movie? 
I AM OLD AND KNOW NO TEEN ACTORS. Every actor I know is either in their 20s (*cough* CW network) or Doc Mcstuffins...I have 8-year-old nieces. 
Apologies, I’ve been reminded that Doc is a cartoon, but still she does a lot of good work. Oh wait, now that I think about it, I think Isabella Gomez (One Day at a Time) would make a good Nora.
 
Claribel: What’s been the hardest and the most rewarding part of your journey to publication so far? 
The most rewarding has been getting to meet and know new authors (like Las Musas!) and knowing I can push myself more than I think. Hardest is always reconciling expectations with reality. 
 
Jen: What is your writing Kryptonite? 
I’m deathly afraid of series - I can’t imagine keeping all that in my head! But I must say plotting is my weakness. It takes me several drafts before I find the thread that links them all together. Before that it’s just a bunch of people talking and eating good food. 
 
Ann: If you could go back and whisper to the who you were at the very beginning of writing this book, what would you tell yourself?
Run. (I’m kidding.) I would say, you don’t think you need a more detailed outline BUT YOU DO, go back and do it again before you start.
 
Claribel: Can you tell us about any other projects you have in the works? 
If I talk about it I have to finish it right? At the moment it’s a historical fantasy about love, loss, depression, isolation, and friendship. It’s demanding a lot from me so it’s going slow. 
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